通過獨特的設計形式，良好的汽車vi設計可以吸引眼球，從而贏得更多的合作機會，讓消費者口口相傳。一個成功的汽車vi設計不僅能體現企業的意義，而且能夠成為企業的無形資產。
注：本文“汽車vi設計”配圖為本公司設計作品
Interestingly, some fore-edge paintings were so secret that you could only discover them when the book was fanned in a certain direction. And if the book was closed as normal, the page edges would look blank. Sometimes, these secret illustrations could be doubled – revealing two different artworks on different slants.
The Earl Gregg Swem Library holds the 700-strong Ralph H. Wark Collection, the largest collection of fore-edge painted books in America. Jay Gaidmore, Director of Special Collections at the Library, said: "Sometimes the fore-edge paintings corresponded to the subject of the book, and sometimes not. Typical scenes include Oxford and Cambridge, the Thames River, Westminster Abbey, the English village and countryside, Edinburgh, authors, ships, and classical figures... Most of the books are 19th century English fore-edges, but there are a few American scenes."
So when did fore-edge paintings begin? They can be found on books dating back to the 11th century with more elaborate versions appearing around the 17th century when artists tried to push the boundaries on what was possible.
"Fore-edge paintings peaked in the late 18th and early 19th centuries in England," added Gaidmore. "Edwards of Halifax, part of the Yorkshire family of bookbinders and booksellers, has been credited with establishing the custom."
Via Atlas Obscura | Main image courtesy of Swem Library
A two-way double fore-edge painting from The Book of The Thames (1859), slanted one way | Photo courtesy of The Swem Library
And the other slant | Photo courtesy of The Swem Library
The American capital painted on the edge of American Poems (1870) | Photo courtesy of The Swem Library
Henry Longfellow from The Complete Poetical Works of Henry Wadsworth Longfellow | Photo courtesy of The Swem Library
A circus scene from Essays, Poems, and Plays (1820) | Photo courtesy of The Swem Library
A ship painted in Lectures on Modern History (1843) | Photo courtesy of The Swem Library
A tiny farm scene on the side of The Farmer's Boy (1827) | Photo courtesy of The Swem Library
注：本文“汽車vi設計”配圖為本公司設計作品
廣州vi設計公司認為企業想要讓品牌設計更加成功，就不僅要做到重視汽車vi設計，還要做好logo設計、vi設計、品牌設計所需各種要求，站在消費者的角度思考，做出真正適合企業的汽車vi設計，成為消費者青睞的品牌。
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